Nikon Z8 Underwater Housing by Nauticam

Installing vacuum valve to housing Remove the plug of the M14 accessory port from the housing. Remove the cap from the vacuum valve. Tighten the vacuum valve to the housing with the tool provided. Building up vacuum Remove the cap of the vacuum valve. Connect the hand pump to the valve and pump several times until it reaches the target vacuum level. The LED light will turn flashing yellow while vacuum is building up, then steady green when the target vacuum level is reached. Attention: After the target vacuum is reached, i.e. steady green light, attach the cap back to the vacuum valve. It is recommended to leave the housing for at least 20mins to ensure it is sealed. If the LED light changes from steady green light to rapidly flashing yellow light, that means there is a leakage and please check every O-ring and conduct the vacuum test again. Please ensure that the cap is attached back to the vacuum valve before going underwater. Vacuum can be released by pushing the red release button. Attention: Please DO NOT attempt to go over the designated vacuum level, i.e. stop pumping when the LED turn green. Excessive vacuum level may lead to the malfunction of the camera and lens. Note: Although the vacuum indicator is designated to compensate for a certain amount of temperature variation, it is recommended to conduct the vacuum test in an environment where the temperature is stable. After set up, the meaning of the LED indicator in the housing: Flashing “Blue” light: Standby mode. The moisture alarm is active, and the system is ready for vacuum indication whenever a vacuum is detected. Flashing “Red” light with beeping sound:Moisture is detected. Flashing “Yellow” light: Some vacuum is detected, target vacuum level is not reached. Steady “Green” light: Target vacuum level is reached. Rapidly flashing “Yellow” light: Vacuum is dropping. (Will occur only after target vacuum level is reached) Rapidly flashing “Red” light: Vacuum is totally lost. Circuit stalled until switched off. (Will occur only after target vacuum level is reached)

The next generation Nauticam Full Angle Straight Viewfinder is the perfect addition to your housing as it provides a bright, clear and undistorted 1:1 image of the camera’s viewfinder and is essential for precise focusing and artistic composition.  This viewfinder is also available in an 0.8:1 version that can also accommodate viewing of the entire image field on cameras with larger EVFs such as the Sony A1. The Full Frame Angle Viewfinder also provides more clearance for your regulator allowing for more a more comfortable viewing position, installs in seconds without tools and retains the hassle-free underwater dioptric adjustment feature. The viewfinder can also be rotated when using the camera in a portrait orientation. INTRODUCING NAUTICAM FULL FRAME ANGLE VIEWFINDER 32°/ 1:1 For over a decade, Nauticam’s Enhanced Viewfinders have been known for superior optics, tack sharp performance and first-of-its-kind underwater dioptric adjustment. Anyone who has used these instruments has grown to appreciate what an asset they can be to any underwater photographer. But the camera world has seen radical changes in technology in the last ten years, including ever increasing size and resolution of Electronic Viewfinders (EVFs) found in the latest high-end mirrorless cameras. These newer EVFs challenge even the finest enhanced viewfinders for underwater housings. In response to this technological evolution, Nauticam is excited to introduce the next generation of Enhanced Viewfinders designed to meet and exceed the requirements of all the current digital camera EVFs, as well as what is expected in the near future. The new Full Frame Straight Viewfinder employs entirely new optics to allow distortion free viewing without clipping the image frame. With the new viewfinders, reviewing images in playback or navigating the menus through the EVF has never been so easy. 32º/1:1 VS. 42º/0.8:1 Because different photographers have different needs and priorities, Nauticam offers the Full Frame Angle Viewfinder in two options. The 1:1 viewfinder option offers the most magnification available for underwater viewing while preserving the image field and surrounding data on most cameras. This viewfinder is a breakthrough in performance on high resolution EVFs and is an absolute joy on traditional DSLRs. The level of detail rendered is unequaled in the industry. For those utilizing cameras with known EVF challenges such as the Sony’s A1 and A7SIII cameras, or just for the photographer who wants as much working room on the viewfinder field-of-view as possible, Nauticam offers the new 0.8:1 version. The 0.8:1 viewfinder offers an equally crisp and bright EVF display as the 1:1 viewfinder, with slightly less magnification for uncompromising corner to corner image viewing or better imaging of shooting data. HASSLE-FREE UNDERWATER DIOPTRIC ADJUSTMENT The much-loved dioptric adjustment is still featured and allows for easy eyesight adjustment in-water without disassembly of the viewfinder.  as well as the simple installation and removal that takes only seconds. TOOL FREE INSTALLATION The Nauticam Full Frame Angle Viewfinder can be installed in seconds without any tools.  The viewfinder is a direct replacement of the stock 0.66X viewfinder on DSLR and many full-frame mirrorless housings but requires an easily installed adapter on certain MIL housings. The viewfinder can also be rotated when using the camera in a portrait orientation. Whether future proofing a viewfinder purchase for your current rig, or patiently waiting for a viewfinder worthy of the latest pro mirrorless camera you are diving, these cutting-edge viewfinders are the new industry standard to be looking at. <iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/1AeT-02Mrdo?controls=0" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen></iframe>  

An adapter to convert from an N120 port opening to an N100 port opening with an effective length of 20mm.

Zoom gears allow access to the manual zoom function of a lens in an underwater housing. Use may require specific port extensions and may not be available for all housings and lenses. This zoom gear is specifically designed for for Nikon Nikkor Z 24-70 mm 30 mm F4 S and Nikon Nikkor 14-30 mm F4 S lenses in underwater housings by Isotta..

The WACP-1 and WACP-2 have raised the bar on what is possible in underwater optics. They offer the maximum in image quality with the widest angle of view available in a rectilinear lens.  Nauticam is now excited to release the next iteration of WACP, the WACP-C.  The Wide Angle Conversion Port Compact (WACP-C) is a fraction of the weight and size when compared to the WACP-1 and WACP-2.  When looking at volume, the WACP-C is approximately 37% smaller than WACP-1 and 75% smaller than WACP-2.  NAUTICAM WIDE ANGLE CONVERSION PORT COMPACT (WACP-C) Like the WACP-1 and WACP-2, the WACP-C is a dry mount lens design, functioning as both a port and optical lens. It is optimized to work with professional camera lenses up to a full-frame equivalent focal length of 28mm and offers an amazing 130° angle of view.  The WACP-C can focus as close as the front element and captures images with minimal distortion. A wide variety of lenses are supported, both primes and zooms for a variety of cameras. Please check the WACP-C PORT CHART for supported lenses and suggested configurations as some lenses will require extension rings or adapters. This image from Alex Mustard was shot with the Nikon 28-70mm f/3.5-4.5D and WACP-C.  Similar to WACP-1, the WACP-C greatly improves the overall image sharpness.  The WACP-C will provide approximately 3 f-stops of increased corner sharpness when compared to traditional wide rectilinear lenses with a similar field of view behind a dome port.  This means being able to achieve about the same corner sharpness with WACP-C at f/5.6 that you could achieve with your rectilinear lens behind a dome port a f/16.  As a point of comparison, WACP-1 provides approximately 4 f-stops of increased corner sharpness This image from Alex Mustard was shot with the Nikon 28-70mm f/3.5-4.5D and WACP-C The WACP-C's zoom-through capability means the underwater filmmaker or photographer can capture astonishing wide, medium and close-up shots all with one lens while maintaining optimum optical and close-focus performance. Take for instance the Sony 28-60mm f/4-5.6 lens which receives a field-of-view range of 69º to 130º with the WACP-C. This lens allows for acquisition of more dynamic content on each and every dive without the need for a second camera. This image from Alex Mustard was shot with the Nikon 28-70mm f/3.5-4.5D and WACP-C

THE FINEST MACRO ACCESSORY LENS FOR DSLR/MIL CAMERAS The Nauticam Super Macro Converter 1 (SMC-1) is the first underwater macro conversion lens that is fully optimized for in water use. This unique and innovative lens will change the way that underwater macro photography is done. BREAKTHROUGH LENS DESIGN Prior to the Super Macro Converter, achieving "super macro" underwater meant using tools that were designed for in air use. These tools simply do not take into account the physics of shooting in water. The SMC takes a radically different approach: treat the system ? camera, lens, port, air, and water ? as a whole, and account for the air-water interfaces in a conversion lens design to achieve the best image quality possible. The improvement is stunning, measurable and a new standard in underwater macro imaging has been established. "This is the sharpest accessory macro lens I have used. Something that it is truly remarkable because it is also the most powerful. Fantastic performance from the centre of the frame to the corners. It is a lens that pushes back the boundaries of the types of photos we can take underwater." -Dr. Alex Mustard (www.amustard.com) Three key advantages to this internationally patent pending new optical design: Higher Magnification Than Other Popular Super Macro Tools with Increased Working Distance Better Edge to Edge Image Quality, Higher Contrast, and Lower Color Fringing Compatibility with "short" macro lenses that traditionally have not worked well with super macro accessories, like Canon EF-S 60mm, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Olympus 12-50mm f/3.5-6.3 ED M.Zuiko EZ Micro 4/3 Lens, and Olympus M.ZUIKO DIGITAL ED 60mm f/2.8 Macro. Edward Lai, Managing Director of Nauticam, has utilized a revolutionary approach in developing the SMC. This is a completely new lens design, developed through hundreds of engineering hours utilizing computer software to model the optical properties of the complete underwater imaging system. Incorporating these factors into the design yields amazing sharpness, contrast, and clarity that isn't available from a simple magnifying lens for use in air sealed in a waterproof enclosure. UNCOMPROMISED OPTICAL QUALITY The Super Macro Converter is constructed from lenses are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging. STUNNING MAGNIFICATION When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.3X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor. IMPROVED SHARPNESS AND CONTRAST As the Super Macro Converter is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast. SUPERB LIGHT TRANSMISSION All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn't suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission. OPTIMIZED FOR AUTOFOCUS By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range. AMPLE WORKING DISTANCE Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects. RESOLUTION High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air. SMOOTH BOKEH The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing. AVOIDING DIFFRACTION Due to the overall superior optical performance of the SMC it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.

This Nauticam Macro Port 80 is designed for housings that support the N120 port system.  A M67 thread for accessories is integrated on the front of the port.

This Bayonet Mount Converter II is designed for M67 threaded ports to use with Water Contact Optics. This works with 1st generation bayonet mount optics as well as the new 2nd generation (WWL-C).

Nauticam's new eMWL (Extended Macro Wide Lens) is built to work with several popular macro lenses and is optimised for both still images and video. It is a wet lens design, so the lens can be attached and removed underwater. This increases the versatility of the whole system, and other accessories such as SMC and CMC macro converters can also be used.   The eMWL as a modular system The eMWL has been developed as a modular design with three individual parts: the focusing unit, the relay module and the lens. Nauticam has developed components optimised to work with different camera manufacturers and their macro lenses, as well as a selection for three unique perspectives. Let's take a look at the individual parts and dive a little deeper into the eMWL. The complete eMWL system Objective lenses, 60°, 100°, 130° - Relay lens - Focusing unit eMWL focusing unit To ensure the best results on a range of cameras, three focusing units have been developed and each unit is optically matched to the recommended prime lenses. The eMWL is very sharp and has very good contrast, and the autofocus works very well.  This is a significant advantage compared to other relay lenses available. You also have the option of adding a manual focus gear. You can also use lens adapters like the Nikon FTZ, EF to EOS R or the Sigma MC-21. The focusing unit is the part closest to your mount, it is designed with 6 glass elements in 3 groups and is connected via the bayonet lock system.  Focusing unit (NA87202) for Canon Compatible lenses: Canon EF 100mm f/2.8L Macro IS USM Canon EF-S 60mm f2.8 Macro USM for APS-C    Nikon D850, Nikon 105mm  Macro, Nauticam eMWL 100°, 1/200 sec, f/20, ISO 320  eMWL relay unit The next element to be attached to the front of the focusing unit is the relay lens. It has been designed to the highest standard with 14 glass elements in 10 groups. The eMWL objective lenses create an inverted image so that it appears upside down. The relay lens corrects the inverted image and returns the image to the focusing unit and sensor. It is 150 mm long and only 62 mm wide at its widest point. This allows the front of the eMWL to be placed extremely close to your subject while keeping the bulk of the camera system and the photographer at a greater distance. It also opens up creative ways for videographers to capture motion shots in tight spaces. Imagine poking through seaweed to expose a young batfish, or pulling back from a small object to show the nook where it lives. All three focusing units use the same relay lens. It is possible to use the eMWL without the relay lens if you do not need the extended working distance. But then a camera or monitor that can correct the inverted image in the electronic viewfinder or screen is an advantage. eMWL lenses The last link, which is attached to the front of the relay lens, is the objective lens. There are three different versions with different angles of view. You choose one of the three versions depending on the look, the subject or the type of image you want to create. These, as well as the other two parts, can all be assembled and disassembled under water. You can keep all three lenses with you and replace them when you need to. You can shoot them just like any other lens, but the real magic happens when you get really close to your subject. All three lenses focus as close as the front element with the right setting. You could fill most of the frame with a nudibranch and still have room for a diver in the background! The eMWL is a great tool to enhance your creativity. 130° lens (NA87223) This is the widest of the three objective lenses, designed with 9 elements in 7 groups. It's perfect for larger macro subjects or any image where you want to see more of the background. The image quality is on par with the best wide-angle lenses, so you can also use it for traditional wide-angle shots.  100° lens (NA87222) This is an extremely versatile viewing angle. It is the smallest and slimmest in physical size, making it a good choice for shy subjects and tight spaces. It is designed with 9 elements in 6 groups. An angle of view of 100° is still plenty of room in the background for small macro subjects or for wide angle shots. For comparison, a 16mm lens on FF is 107°.  60° lens (NA87221) For a narrower angle of view or if you want the background elements to look more compressed, the 60° lens is the perfect choice. It is designed with 9 elements in 6 groups. There are three focus ranges that can be set on the lens: 00-55mm, 55-25mm and 25-0mm. I would suggest setting it to 00-55mm and adjusting to one of the closer settings when working extremely close to a subject. The close-up setting works similar to a tube by moving the lens further away from the sensor.   Bayonet connection The EMWL uses the Nauticam bayonet mounting system. You can easily attach or remove the EMWL to shoot with just the macro lens or add other accessories. You need to attach the appropriate bayonet converter to the front of your mount. If you want to use a super macro (SMC-1 or SMC-2) or compact macro converter (CMC-1 or CMC-2), these can be attached with an optional bayonet adapter. M67 bayonet converter II for Nauticam 67 mm threaded connections (NA83250)  M77 bayonet converter II for Nauticam 77 mm threaded connections (NA83251)  Bayonet adapter for SMC and CMC (NA83214) Quelle: Nauticam

Foucs gears allow access to the manual function focus of a lens in an underwater housing. Use may require specific port extensions and may not be available for all housings and lenses. This focus ring is designed specifically for Nikkor Z MC 105mm F/2.8 VR S lenses in underwater housings by Nauticam.

With more cameras offering high quality HDMI video output, the Atomos Ninja V steps in, not only as a stunning monitor but also as a recorder of 4K 60p 4:2:2 10-bit video to on-board SSD drives in edit-friendly ProRes or Avid formats. The Nauticam NA-Ninja V, when used with supported housings and cameras, allows for the connection of the Ninja V over HDMI 2.0 in addition to providing easy access to the Ninja V controls underwater. Atomos Ninja V   The Atomos Ninja V is an exceptional monitor, featuring a bright 1000 nit 10-bit HDR 5.2" screen that can display over 10 stops of dynamic range with compatible cameras. The monitor includes a variety of exposure and focus assist tools to insure your footage is properly exposed with critical focus. In addition to being an extremely capable monitor, the Ninja V is also a recorder. When used with compatible cameras over HDMI 2.0, the Ninja V can record 4K at 60p in 10-bit 4:2:2 ProRes or DNxHR formats to Atomos AtomX SSDmini solid state drives. With a 1TB SSDmini drive, the Ninja V can record up to 150 minutes of 4K video. EXPOSURE TOOLS  The Ninja V exposure guides include a Waveform for luminance, RGB Parade for color balance, and Vector Scope for hue and saturation. These tools, especially useful for the underwater filmmaker, allow accurate and fast judging of exposure, even in the most uncooperative lighting scenarios. Even when recording Log or HDR footage, using Rec.709 or HLG monitoring displays the video on the screen adjusted to the levels of the chosen standard.. FOCUS TOOLS Critical focus can be achieved using various peaking tools. Focus Peaking Color displays the original color image with the sharpest areas outlined in a selectable color. Focus Peaking Mono provides the same overlay but on a monochrome image. Focus Assist Outline shows only the false color outline on a black background of the sharpest areas.    THE NAUTICAM NA-NINJA V UNDERWATER HOUSING   The Nauticam NA-Ninja V builds on the strong foundation Nauticam has built with previous Atomos monitor/recorder housings but is built around the new M28 large-bore bulkhead that supports HDMI 2.0. The Ninja V is easily mounted in the housing, dropping in without trays or other mounting accessories and is held in place by two rotating locking levers. The Ninja V features both an HDMI 2.0 input as well as an output and the NA-Ninja V supports both as well. With dual M28 bulkheads, a second HDMI cable can be run to another monitor. The Ninja V allows for the application of. cube format 3D LUTs to this output signal. The NA-Ninja V supports up to the NP-F970 size battery which provides up to two hours of run time. A CR-2032 battery powers the vacuum check and leak detection system. When used with the included Vacuum Valve, the system gives real-time feedback about the watertight integrity of the housing through an easily visible multi-color LED on the top of the housing. Access to the touchscreen controls of the Ninja V are handled via a series of buttons and a selector knob beneath the screen of the housing including PLAY, REC, MON, RGB, PEAK and the Muti-Selector Lever.  

M24 Adaptor for HDMI 2.0 Cable (to use with 25087 with NA-A7RIV+SIII)

This is the HDMI 2.0 cable necessary to use the NA-A1 with the 17922 Nauticam Atomos Ninja V Housing for Atomos Ninja V 5” 4Kp60 4:2:2 10-bit Reorder/Monitor/Player. Note: this cable supports RAW 16bit 4.2K (4264 x 2408) up to 59.94p output but actual capture quality is subject to recorder capabilities.

This version is suitable to accommodate the Atomos AtomX SDI module. With more cameras offering high quality HDMI video output, the Atomos Ninja V steps in, not only as a stunning monitor but also as a recorder of 4K 60p 4:2:2 10-bit video to on-board SSD drives in edit-friendly ProRes or Avid formats. The Nauticam NA-Ninja V, when used with supported housings and cameras, allows for the connection of the Ninja V over HDMI 2.0 in addition to providing easy access to the Ninja V controls underwater.     Atomos Ninja V   The Atomos Ninja V is an exceptional monitor, featuring a bright 1000 nit 10-bit HDR 5.2" screen that can display over 10 stops of dynamic range with compatible cameras. The monitor includes a variety of exposure and focus assist tools to insure your footage is properly exposed with critical focus. In addition to being an extremely capable monitor, the Ninja V is also a recorder. When used with compatible cameras over HDMI 2.0, the Ninja V can record 4K at 60p in 10-bit 4:2:2 ProRes or DNxHR formats to Atomos AtomX SSDmini solid state drives. With a 1TB SSDmini drive, the Ninja V can record up to 150 minutes of 4K video. EXPOSURE TOOLS  The Ninja V exposure guides include a Waveform for luminance, RGB Parade for color balance, and Vector Scope for hue and saturation. These tools, especially useful for the underwater filmmaker, allow accurate and fast judging of exposure, even in the most uncooperative lighting scenarios. Even when recording Log or HDR footage, using Rec.709 or HLG monitoring displays the video on the screen adjusted to the levels of the chosen standard.. FOCUS TOOLS Critical focus can be achieved using various peaking tools. Focus Peaking Color displays the original color image with the sharpest areas outlined in a selectable color. Focus Peaking Mono provides the same overlay but on a monochrome image. Focus Assist Outline shows only the false color outline on a black background of the sharpest areas.    THE NAUTICAM NA-NINJA V UNDERWATER HOUSING   The Nauticam NA-Ninja V builds on the strong foundation Nauticam has built with previous Atomos monitor/recorder housings but is built around the new M28 large-bore bulkhead that supports HDMI 2.0. The Ninja V is easily mounted in the housing, dropping in without trays or other mounting accessories and is held in place by two rotating locking levers. The Ninja V features both an HDMI 2.0 input as well as an output and the NA-Ninja V supports both as well. With dual M28 bulkheads, a second HDMI cable can be run to another monitor. The Ninja V allows for the application of. cube format 3D LUTs to this output signal. The NA-Ninja V supports up to the NP-F970 size battery which provides up to two hours of run time. A CR-2032 battery powers the vacuum check and leak detection system. When used with the included Vacuum Valve, the system gives real-time feedback about the watertight integrity of the housing through an easily visible multi-color LED on the top of the housing. Access to the touchscreen controls of the Ninja V are handled via a series of buttons and a selector knob beneath the screen of the housing including PLAY, REC, MON, RGB, PEAK and the Muti-Selector Lever.  

Provides an additional ball mount for housings with available M10 threaded mount.

In Verbindung mit dem passenden Montageadapter ermöglicht dieses System die sichere und stabile Befestigung von kompatiblen Nauticam Monitor-/Recordergehäusen am Kameragehäuse, ohne dass Montagepunkte für die Beleuchtung geopfert werden müssen.  Prüfen Sie die Liste des empfohlenen Zubehörs oder das Benutzerhandbuch Ihres Monitorgehäuses, um die Kompatibilität sicherzustellen.

Dieser Kit ersetzt die standardmäßigen Griffaufsatzplatten, um die Montage vonNauticam Monitor-Gehäusen an kompatible Unterwassergehäuse von Nauticam zu ermöglichen.

This standard 1" mounting ball is designed to work with housings that feature the 1/4-20 threaded mounting locations such as the NA-E2 and NA-BMPCC6K. NOTE: please confirm the housing you wish to use with this ball mount features the 1/4-20 threading before purchase.

Zu Abdeckung einer M16-Buchse an einem Unterwassergehäuse von Nauticam.

Abbdeckung für M14 Buchse an Unterwassergehäusen.

Schützen Sie die Dichtungsfläche des Gehäuses und verhindern Sie das Eindringen von Staub in das Gehäuse, wenn Sie es nicht verwenden, mit dieser Gehäusekappe. Diese hat einen Bajonettring, der es ermöglicht, so Port angebracht zu werden. 

Spare housing O-ring for the following Nauticam underwater housings: NA-7D NA-80D NA-D7100 NA-D7200 NA-D7500 NA-GH5 NA-GH6 NA-G9 NA-REDLT NA-Z7II/Z6II Furthermore, this O-ring also fits N200 ports from Nauticam.

Stativplatte, die an der Unterseite des Gehäuses befestigt wird und drei Standard 1 Zoll Kugelköpfe für Stativbeine oder anderes Zubehör bietet. HINWEIS: Eignet sich nicht für die Cinema-Gehäuse von Nauticam

This kit allows for the secure mounting of industry standard 1? ball mounts directly onto the NA-A9 housing that provides a low-profile attachment point for tripod legs or accessory light arms.

  A stable filming platform is crucial to capturing many underwater scenes. While larger cinema systems such as the NA-C200, RED Komodo and RED DSMC2 housings feature integrated stabilization options, many Nauticam DSLR and Mirrorless systems now have an option for a similar level of support with the Universal Quadra-Pod Plate. INTRODUCING UNIVERSAL QUADRA-POD PLATE FOR NAUTICAM HOUSINGS   Featuring a flexible housing mounting position, the Quadra-Pod attaches via the integrated threaded mounts on the bottom of supported housings with large knurled thumb screws. The Quadra-Pod can be used in either Quadrapod or Tripod configurations. QUADRAPOD CONFIGURATION TRIPOD CONFIGURATION There are five separate positions with which the Quadra-Pod can be mounted relative to the housing extending either more towards the front or rear of the housing. This flexible positioning allows for the use of various ports and accessories without interference. Four 1" ball mounts can be used to attach a variety of leg options and configurations such as Nauticam double ball arms. The Nauticam Universal Quadra-Pod gives DSLR and Mirrorless users a flexible solution to achieving a more stable filming position underwater while maintaining the low profile that makes these systems appealing.

The WED-7 Pro is a professional HD monitor specially designed for underwater photographer. The product is made of aluminum alloy, with carbon-fiber trim panels and delicate stainlesssteelchrome-plated buttons. It is High-end and professional product. The underwater monitor uses a full HD FHD display, plays for 4K HDMI input and outout,and is configuredwith a variety of auxiliary tools, so that the photographer is more freely and with ease in shooting. Professional auxiliary shooting function: The product has a variety of professional shooting functions, such as: brightness histogram, audio column, auxiliary focus, false color, exposure prompt, monochrome display, nine grid, square, etc., all can better help the photographer effectively monitor and control the picture to the process of shooting and creating works. Long back-up life: The product is powered by two 18650 lithium batteries, the longest working time can be up to 3.5 hours, and the product has a battery indicator light, so that the photographer can observe the battery power at any time. 4K signal transmission: The product supports 4K HDMI input and output, and high-definition pictures of the camera can be displayed on the monitor in real time through 4K signal transmission of HDMI. 7-inch FHD: The product features a 7-inch full HD screen with 1920x1200 resolution and 440PPI pixel density, as well as 500CD /m² high brightness and 1200:1 high contrast. Ultra-wide viewing Angle: The choice of IPS display has an ultra-wide viewing Angle of 160°, which allows the photographer to easily get a clear picture when adjusting the position. True color: The product uses the trustworthy Rec.709 high-definition color standard in the professional field, and accurately restore the color without distortion or color bias, it shows the real image. Hood: The product design has a professional hood, so that the photographer can get the ideal viewing effect when using in the outdoor bright light. Excellent image processing engine: the product is matched with an independent image processing engine, which improves the light and dark effect and contrast of the picture, so that the picture quality is more exquisite. Excellent deep waterproofing effect: UP to 80m/263ft IP68 waterproofing grade: professional waterproofing design, full process technology and quality control, as well as real simulation of various deep water conditions of pressure testing.

This 200 mm HDMI cable is used for internal connection between the HDMI housing connector and the HDMI camera output.

5-inch HD Underwater Monitor by Weefine A lightweight made of aluminium that is travel-friendly and practical. This is how the WED-5 underwater monitor from Weefine presents itself. With a brightness of just under 500 nits and 16.7 million colours, it allows you to fully assess your shots even in the water. The monitor housing is milled from aluminium in the highest precision and then protected with a solid surface anodisation. This makes the monitor resistant to salt water and overheating.