M24A2R225-M28A1R170 HDMI 2.0 Cable

With more cameras offering high quality HDMI video output, the Atomos Ninja V steps in, not only as a stunning monitor but also as a recorder of 4K 60p 4:2:2 10-bit video to on-board SSD drives in edit-friendly ProRes or Avid formats. The Nauticam NA-Ninja V, when used with supported housings and cameras, allows for the connection of the Ninja V over HDMI 2.0 in addition to providing easy access to the Ninja V controls underwater. Atomos Ninja V The Atomos Ninja V is an exceptional monitor, featuring a bright 1000 nit 10-bit HDR 5.2" screen that can display over 10 stops of dynamic range with compatible cameras. The monitor includes a variety of exposure and focus assist tools to insure your footage is properly exposed with critical focus. In addition to being an extremely capable monitor, the Ninja V is also a recorder. When used with compatible cameras over HDMI 2.0, the Ninja V can record 4K at 60p in 10-bit 4:2:2 ProRes or DNxHR formats to Atomos AtomX SSDmini solid state drives. With a 1TB SSDmini drive, the Ninja V can record up to 150 minutes of 4K video. EXPOSURE TOOLS  The Ninja V exposure guides include a Waveform for luminance, RGB Parade for color balance, and Vector Scope for hue and saturation. These tools, especially useful for the underwater filmmaker, allow accurate and fast judging of exposure, even in the most uncooperative lighting scenarios. Even when recording Log or HDR footage, using Rec.709 or HLG monitoring displays the video on the screen adjusted to the levels of the chosen standard.. FOCUS TOOLS Critical focus can be achieved using various peaking tools. Focus Peaking Color displays the original color image with the sharpest areas outlined in a selectable color. Focus Peaking Mono provides the same overlay but on a monochrome image. Focus Assist Outline shows only the false color outline on a black background of the sharpest Areas.   THE NAUTICAM NA-NINJA V UNDERWATER HOUSING The Nauticam NA-Ninja V builds on the strong foundation Nauticam has built with previous Atomos monitor/recorder housings but is built around the new M28 large-bore bulkhead that supports HDMI 2.0. The Ninja V is easily mounted in the housing, dropping in without trays or other mounting accessories and is held in place by two rotating locking levers. The Ninja V features both an HDMI 2.0 input as well as an output and the NA-Ninja V supports both as well. With dual M28 bulkheads, a second HDMI cable can be run to another monitor. The Ninja V allows for the application of. cube format 3D LUTs to this output signal. The NA-Ninja V supports up to the NP-F970 size battery which provides up to two hours of run time. A CR-2032 battery powers the vacuum check and leak detection system. When used with the included Vacuum Valve, the system gives real-time feedback about the watertight integrity of the housing through an easily visible multi-color LED on the top of the housing. Access to the touchscreen controls of the Ninja V are handled via a series of buttons and a selector knob beneath the screen of the housing including PLAY, REC, MON, RGB, PEAK and the Muti-Selector Lever.  

Looking at the specs, the Sony FX3 is strikingly similar to the A7S III less an electronic viewfinder.  Take a closer look and its the powerful video features of the A7S III with cinema-centric controls and exterior design.  The FX3 can capture 4K at up to 120fps with 15+ stops of dynamic range with the option for RAW over HDMI.  Controls are optimized for video with direct iris, ISO and shutter angle control.  With the addition of an internal fan, the recording time limit for 4K60p has been removed.  The NA-FX3's compact size make it ideal for the traveling filmmaker and those looking for a more nimble underwater System. THE SONY ALPHA FX3 CINEMA LINE FULL-FRAME CAMERA Compact cinema cameras are increasingly a popular choice for underwater film making and Sony's FX3 brings the powerful capabilities of the A7S III full-frame mirrorless camera to the form factor.  The FX3 is built around the same sensor as the A7S III that allows for capture of up to 4K 120p 10-bit 4:2:2 with full-pixel readout.  The FX3 adds a cooling fan to reduce heat buildup during continuous filming and omits the electronic viewfinder of the A7S III.  The controls of the FX3 are also clearly cinema-centric with direct access to iris, shutter angle, ISO and WB.  There is also a zoom lever and tally light. The FX3's 627-point phase detection autofocus features customizable AF Transition Speed as well as Subject Shit Sensitivity as well as real-time AF tracking.  5-axis in-body stabilization helps create smooth video.  The FX3 has minimized rolling shutter effect at higher frame rates due to faster sensor readout. The incredible sensitivity of the A7S III is shared by the FX3 with a maximum ISO value of 409,600 and reduced noise at higher sensitivities.  When shooting at higher frame rates, the ability to shoot at higher ISO values with little penalty to image quality is a game changer.  Using color correction filters, which often result in a loss of light, while maintaining desired iris and shutter angle settings makes the FX3 ideal as an underwater filmmaking camera for even the most challenging lighting situations.  A visible and IR light sensor improves white balance accuracy. When working with external recorders, the FX3 can output a RAW 16-bit 4K60p signal via the HDMI type-A port.  Internal recording is to dual CFexpress Type A or SDXC/SDHC card slots.   THE NAUTICAM NA-FX3 UNDERWATER HOUSING The Nauticam NA-FX3 underwater housing is designed to deliver an intuitive user experience in a rugged and reliable platform that is supported by the extensive Nauticam lineup of accessories and premium optics. The NA-FX3 is built around the N100 port system that is shared by all full-frame Sony mirrorless systems in the Nauticam lineup, allowing seamless crossover for existing Sony shooters.   CAMERA COMPATIBILITY The NA-FX3 underwater housing is compatible with both the Sony FX3 and the Sony FX30.    MISSION CONTROL The NA-FX3 is designed with our Mission Control philosophy, placing controls where they can be easily accessed with minimal movement.  Within easy reach of the right handle are control dials for Iris, ISO and Shutter Speed.  There is also a dedicated REC button and FOCUS MAG lever.  Stainless steel stabilizing brackets insure the handles remain steady even when using large video lights or other accessories. CONNECTIVITY The NA-FX3 features a an M24 bulkhead which supports the Nauticam HDMI 2.0/1.4 cable system which can be paired with supported external monitors/recorders.  In addition there is an M16 bulkhead which is dedicated for remote control capability using the Sony RM-VPR1 controller (proprietary waterproof cable is required).  On the rear cover there is also an M14 bulkhead which can be fitted with the optional M14 Vacuum Valve II (25624).  The NA-FX3 comes with the Nauticam vacuum check and leak detection system as standard equipment. This monitoring system, when paired with the optional vacuum valve, provides constant updates on the water tight and safe-to-dive status of the housing. A simple color coded LED lighting system lets the user know that the vacuum is solid, or that the housing is losing vacuum. Leak detection is built into the same circuit, so if there is water intrusion, an audible and visual indication will occur. The Nauticam system is temperature compensated, eliminating false alarms caused by a change in outside temperature, or from a camera heating up on an action packed dive. PREMIUM PROFESSIONAL OPTICS Optical performance is just as necessary as camera performance and this becomes even more critical given the challenges of filming underwater. The Nauticam NA-FX3 uses the same N100 Port System as other Sony full-frame mirrorless housings which makes for a seamless transition for those upgrading or looking to add an additional camera to their lineup. While this system provides exceptional optical-glass and flat port solutions for a wide variety lenses, the real power can be realized using Nauticam's Water Contact Optics. This lineup of dry and wet lenses are conceived using commercial lens-design software to achieve truly unparalleled underwater image quality both for stills and video in both macro and wide-angle situations. The WACP-1 and WACP-2 achieve ultra-wide 130º fields-of-view with reduced distortion over conventional optics while featuring ~0" minimum focus distances, zoom through capabilities and unbeatable corner sharpness at even wide-open apertures such as F5.6.