Sony FX3/FX30 Underwater housing by Nauticam

Zoom gears allow access to the manual zoom function of a lens in an underwater housing. Use may require specific port extensions and may not be available for all housings and lenses. This zoom gear is specifically designed for Sony FE 28-70mm F3.5-5.6 OSS lenses in underwater housings by Nauticam..

The WACP is a 0.36x Wide Angle Conversion Port. Unlike traditional ports or wet-mate corrective wide-angle optics, the WACP is a "dry" corrective optic that modifies a 28mm equivalent lens to an extremely sharp 130º. Nauticam Wide Angle Conversion Port // Canon C200 and 7D Mark II @ Tiger Beach 4K from Nicolai Deutsch on Vimeo. FOCUS The WACP can focus from its front element to infinity in-water allowing for extremely close-focus wide angle shooting. When used with certain zoom lenses, the WACP can provide a variety of field-of-view options. Buoyancy Collar An aluminum float collar is standard and brings the in-water buoyancy 0.32kg negative. Compatible Lenses The WACP is designed to function at the full-frame equivalent focal length of 28mm. A wide variety of lenses are supported, both primes and zooms for Nikon, Canon and Sony as well as Super35 Cinema Systems. Please check the PORT CHART for supported lenses and suggested configurations as some lenses will require extension rings or Adapters.

The Nauticam Extension Ring 20 II is part of the N120 Port System and can be used to add an effective length of 20 mm to an N120 Port Setup. This extension ring supports the use of ports/extension rings with removable bayonet mountings.

This N100 to N120 35.5mm Port Adapter replaces 37303. This adapter allows for the use of N120 ports and extension rings on N100 Nauticam Housings.

Focus wheels provide access to the manual focus function in an underwater housing. Use may require specific port extensions and may not be available for all housings and lenses. This focus ring is designed specifically for the Sony FE 28-70mm F3.5-5.6 OSS wide-angle zoom lens.

The WED-7 Pro is a professional HD monitor specially designed for underwater photographer. The product is made of aluminum alloy, with carbon-fiber trim panels and delicate stainlesssteelchrome-plated buttons. It is High-end and professional product. The underwater monitor uses a full HD FHD display, plays for 4K HDMI input and outout,and is configuredwith a variety of auxiliary tools, so that the photographer is more freely and with ease in shooting. Professional auxiliary shooting function: The product has a variety of professional shooting functions, such as: brightness histogram, audio column, auxiliary focus, false color, exposure prompt, monochrome display, nine grid, square, etc., all can better help the photographer effectively monitor and control the picture to the process of shooting and creating works. Long back-up life: The product is powered by two 18650 lithium batteries, the longest working time can be up to 3.5 hours, and the product has a battery indicator light, so that the photographer can observe the battery power at any time. 4K signal transmission: The product supports 4K HDMI input and output, and high-definition pictures of the camera can be displayed on the monitor in real time through 4K signal transmission of HDMI. 7-inch FHD: The product features a 7-inch full HD screen with 1920x1200 resolution and 440PPI pixel density, as well as 500CD /m² high brightness and 1200:1 high contrast. Ultra-wide viewing Angle: The choice of IPS display has an ultra-wide viewing Angle of 160°, which allows the photographer to easily get a clear picture when adjusting the position. True color: The product uses the trustworthy Rec.709 high-definition color standard in the professional field, and accurately restore the color without distortion or color bias, it shows the real image. Hood: The product design has a professional hood, so that the photographer can get the ideal viewing effect when using in the outdoor bright light. Excellent image processing engine: the product is matched with an independent image processing engine, which improves the light and dark effect and contrast of the picture, so that the picture quality is more exquisite. Excellent deep waterproofing effect: UP to 80m/263ft IP68 waterproofing grade: professional waterproofing design, full process technology and quality control, as well as real simulation of various deep water conditions of pressure testing.

This 200 mm HDMI cable is used for internal connection between the HDMI housing connector and the HDMI camera output.

5-inch HD Underwater Monitor by Weefine A lightweight made of aluminium that is travel-friendly and practical. This is how the WED-5 underwater monitor from Weefine presents itself. With a brightness of just under 500 nits and 16.7 million colours, it allows you to fully assess your shots even in the water. The monitor housing is milled from aluminium in the highest precision and then protected with a solid surface anodisation. This makes the monitor resistant to salt water and overheating.

Stativplatte, die an der Unterseite des Gehäuses befestigt wird und drei Standard 1 Zoll Kugelköpfe für Stativbeine oder anderes Zubehör bietet. HINWEIS: Eignet sich nicht für die Cinema-Gehäuse von Nauticam

Provides an additional ball mount for housings with available M10 threaded mount. Installation Guide: Nauticam M5 & M10 Strobe Mounting Balls from Nauticam on Vimeo.

This standard 1" mounting ball is designed to work with housings that feature the 1/4-20 threaded mounting locations such as the NA-E2 and NA-BMPCC6K. NOTE: please confirm the housing you wish to use with this ball mount features the 1/4-20 threading before purchase.

THE FINEST MACRO ACCESSORY LENS FOR DSLR/MIL CAMERAS The Nauticam Super Macro Converter 1 (SMC-1) is the first underwater macro conversion lens that is fully optimized for in water use. This unique and innovative lens will change the way that underwater macro photography is done. BREAKTHROUGH LENS DESIGN Prior to the Super Macro Converter, achieving "super macro" underwater meant using tools that were designed for in air use. These tools simply do not take into account the physics of shooting in water. The SMC takes a radically different approach: treat the system ? camera, lens, port, air, and water ? as a whole, and account for the air-water interfaces in a conversion lens design to achieve the best image quality possible. The improvement is stunning, measurable and a new standard in underwater macro imaging has been established. "This is the sharpest accessory macro lens I have used. Something that it is truly remarkable because it is also the most powerful. Fantastic performance from the centre of the frame to the corners. It is a lens that pushes back the boundaries of the types of photos we can take underwater." -Dr. Alex Mustard (www.amustard.com) Three key advantages to this internationally patent pending new optical design: Higher Magnification Than Other Popular Super Macro Tools with Increased Working Distance Better Edge to Edge Image Quality, Higher Contrast, and Lower Color Fringing Compatibility with "short" macro lenses that traditionally have not worked well with super macro accessories, like Canon EF-S 60mm, Panasonic Leica DG Macro-Elmarit 45mm f/2.8 ASPH. MEGA O.I.S., Olympus 12-50mm f/3.5-6.3 ED M.Zuiko EZ Micro 4/3 Lens, and Olympus M.ZUIKO DIGITAL ED 60mm f/2.8 Macro. Edward Lai, Managing Director of Nauticam, has utilized a revolutionary approach in developing the SMC. This is a completely new lens design, developed through hundreds of engineering hours utilizing computer software to model the optical properties of the complete underwater imaging system. Incorporating these factors into the design yields amazing sharpness, contrast, and clarity that isn't available from a simple magnifying lens for use in air sealed in a waterproof enclosure. UNCOMPROMISED OPTICAL QUALITY The Super Macro Converter is constructed from lenses are precision crafted of specially formulated low dispersion optical grade glass, ground to the most demanding standards. These exceptional measures, enhanced by broadband anti-refective coatings effectively reduce common optical issues such as chromatic aberrations, coma, spherical aberration, and field deformation associated with underwater macro photography using traditional magnifying lenses. These optics are assembled in a rugged hard anodized aluminum housing, and nitrogen purged during assembly to eliminate fogging. STUNNING MAGNIFICATION When combined with a full frame camera and a 100mm or 105mm macro lens, the device converts the optical system to provide a maximum of 2.3X magnification factor. In other words, a subject area of 15.6mm X 10.4mm will fill the whole frame of a 36mm X 24mm sensor. IMPROVED SHARPNESS AND CONTRAST As the Super Macro Converter is optimized explicitly for using together with a macro lens underwater, images captured exhibit exceptional sharpness compared with conventional magnification lenses. Thanks to the broadband multi-layer anti-reflection coating on each surface of the lenses, images also exhibit higher contrast. SUPERB LIGHT TRANSMISSION All the lens elements installed inside the SMC are optically optimized to appropriate diameters so as to provide maximum light transmission. The SMC doesn't suffer from vignette issues under even the most extreme conditions. The broad band multi-layer anti-reflection coating on all surfaces also greatly improves light transmission. OPTIMIZED FOR AUTOFOCUS By utilizing a specially developed algorithm in the optimization process, the SMC renders superior image quality over the full focusing range of the camera lens (which becomes ~50 to ~100 mm in front of the SMC). Also benefitting from the high brightness and contrast of the image, the autofocus system of the camera usually works acceptably well within this range. AMPLE WORKING DISTANCE Even at the maximum 2.3X magnification, there is still more than 50mm of working distance between the front element and the subject with 100/105mm macro lenses. This working distance is crucial when capturing behavior with skittish subjects. RESOLUTION High resolution was a primary design goal of the SMC project. This has been achieved using computer aided optimization and high grade optical glasses with unique refractive and dispersion properties. Images taken with this new system exhibit very high resolution and quality. Results have exceeded expectations, and these images rival the quality of the macro lens in air. SMOOTH BOKEH The Converter retains the optical properties of the macro lens for the whole system underwater, resulting in a blurred (out of focus) background that has a pleasing smoothness and creamy look, without the normal purple and green fringing. AVOIDING DIFFRACTION Due to the overall superior optical performance of the SMC it is possible to shoot larger apertures with excellent image quality. This avoids reaching the diffraction limit of high resolution sensors, and allows selective focus effects with narrow depth of field in super macro images.

Footage by Uli Kunz with Sony A7SIII and SEL90M28G in Nauticam-Housing with eMWL  The eMWL as a modular system The eMWL was developed as a modular design with three individual parts: the focusing unit, the relay module and the lens. Nauticam has developed components optimized to work with different camera manufacturers and their macro lenses, as well as a selection for three unique perspectives. Let's take a look at each part and dive a little deeper into the eMWL. The complete eMWL system Objective lenses, 60°, 100°, 130° - Relay unit - Focusing unit eMWL-Focusing unit Three focusing units have been developed to ensure the best results on a range of cameras, and each unit is optically matched to the recommended prime lenses. The eMWL is very sharp and has very good contrast, and the autofocus works very well.  This is a significant advantage over other relay lenses available. You also have the option to add a manual focus gear. You can also use lens adapters like the Nikon FTZ, EF to EOS R or the Sigma MC-21. The focusing unit is the part closest to your port, it is designed with 6 glass elements in 3 groups and is connected via the bayonet lock system.  Focusing unit (NA87203) for Sony Compatible lens: Sony SEL90M28G FE 90mm F2,8 Makro G OSS  eMWL-Relay unit The next element to be attached to the front of the focusing unit is the relay lens. It was designed to the highest standard with 14 glass elements in 10 groups. The eMWL objective lenses create an inverted image so that it appears upside down. The relay lens corrects the inverted image and returns the image to the focusing unit and sensor. It is 150 mm long and only 62 mm wide at its widest point. This allows the front of the eMWL to be placed extremely close to your subject while keeping the bulk of the camera system and the photographer at a greater distance. It also opens up creative possibilities for videographers to capture motion shots in tight spaces. Imagine poking through sea grass to expose a young batfish, or pulling back from a small subject to show the nook where it lives. All three focusing units use the same relay lens. It is possible to use the eMWL without the relay lens if you do not need the extended working distance. But then a camera or monitor that can correct the inverted image in the electronic viewfinder or screen is advantageous. eMWL-Objective Lenses The final piece that attaches to the front of the Relay Lens is the Objective Lens. There are three different versions with varying degrees of angle-of-view. You would choose one based on the look, subject or type of image you would like to produce. These, like the other two parts, can all be put together and disassembled underwater. You could keep all three objective lenses with you and swap out when needed. You can shoot these just like you would any other lens, but the real magic happens when you get up close to your subject. The 130° and 100° objective lenses will focus as close as the front element and the 60° objective lens can focus as close as 15mm. You could fill up most of the frame with a nudibranch and still have room for a diver in the background! The EMWL is a great tool to boost your creativity. 130° Objektive Lens (NA87223) This is the widest of the three Objective Lenses, designed with 9 elements in 7 groups. It is perfect for larger macro subjects or any image where you want to see more of the background. The image quality rivals the best wide angle lenses so feel free to shoot it for traditional wide angle shots as well.  100°-Objective Lens (NA87222) This is an extremely versatile angle of view. It is the smallest and sleekest in physical size making it a good choice for timid subjects and tight spaces. It is designed with 9 elements in 6 groups. An angle of view of 100° is still a lot of background space for small macro subjects or to shoot wide angle with. A 16mm lens on FF is 107° for comparison.  60°-Objective Lens (NA87221)  For a narrower angle-of-view or if you would like the background elements to look more compressed, than the 60° objective lens is the perfect choice. It is designed with 9 elements in 6 groups. There are three focusing ranges that can be set on the lens, 8-55mm, 55-25mm and 25-15mm. I would suggest setting it to the 8-55mm setting and adjust to one of the closer settings when working extremely close to a subject. The closer setting work similar to an extension tube by moving the lens further away from the sensor. Bayonet mount The EMWL uses the Nauticam Bayonet Mounting System. You can easily attach or remove the EMWL to shoot with just the macro lens or add other accessories. You will need to add the appropriate Bayonet Mount Converter to the front of your port. If you wish to use a Super Macro (SMC-1 or SMC-2) or Compact Macro Converter (CMC-1 or CMC-2), they can be attached with an optional Bayonet Mount Adapter. M67 Bayonet Mount Converter II for Nauticam 67mm threaded ports (NA83250)  M77 Bayonet Mount Converter II for Nauticam 77mm threaded ports (NA83251)  Bayonet Mount Adapter for SMC and CMCC (NA83214)

Focus gears allow access to the mechanical focus function of many lenses. Use of these gears may require specific port extensions and may not be available for all housings and lenses. This focus gear is specific for the Sony FE 90mm F2.8 Macro G OSS lens. Sony A7R II & Sony FE 90mm f/2.8G Macro Lens Showreel from Nauticam on Vimeo.

Macro Port 105 designed for housings supporting the N100 Port System. The front of the port has integrated 67mm threads for accessories. This port is designed to support the Sony SEL90M28G FE 90mm F2.8 Macro G OSS lens on the A7II/A9 systems but may support other lenses as well. Check Port Chart for all supported lenses.

Safely use both Nauticam's eMWL and another attachment lens with M67 screw thread during the dive. This practical swivel mount attaches to M67 screw threads of underwater housings or ports.

To cover an M16 socket on an underwater housing from Nauticam.

Plug for M14 bulkhead on underwater housings.

Spare O-ring for the following Nauticam underwater housings NA-EM5II NA-FX3 NA-A7C NA-ZVE1

Die Hartplastikkappe schützt die Port-Dichtungsfläche der unterstützten N100-Gehäuse und verhindert das Eindringen von Staub während der Lagerung. Ausgestattet mit einem Bajonettverschluss, der es ermöglicht, ihn mit dem Portverriegelungssystem des Gehäuses zu sichern.

Installing vacuum valve to housing Remove the plug of the M14 accessory port from the housing. Remove the cap from the vacuum valve. Tighten the vacuum valve to the housing with the tool provided. Building up vacuum Remove the cap of the vacuum valve. Connect the hand pump to the valve and pump several times until it reaches the target vacuum level. The LED light will turn flashing yellow while vacuum is building up, then steady green when the target vacuum level is reached. Attention: After the target vacuum is reached, i.e. steady green light, attach the cap back to the vacuum valve. It is recommended to leave the housing for at least 20mins to ensure it is sealed. If the LED light changes from steady green light to rapidly flashing yellow light, that means there is a leakage and please check every O-ring and conduct the vacuum test again. Please ensure that the cap is attached back to the vacuum valve before going underwater. Vacuum can be released by pushing the red release button. Attention: Please DO NOT attempt to go over the designated vacuum level, i.e. stop pumping when the LED turn green. Excessive vacuum level may lead to the malfunction of the camera and lens. Note: Although the vacuum indicator is designated to compensate for a certain amount of temperature variation, it is recommended to conduct the vacuum test in an environment where the temperature is stable. After set up, the meaning of the LED indicator in the housing: Flashing “Blue” light: Standby mode. The moisture alarm is active, and the system is ready for vacuum indication whenever a vacuum is detected. Flashing “Red” light with beeping sound:Moisture is detected. Flashing “Yellow” light: Some vacuum is detected, target vacuum level is not reached. Steady “Green” light: Target vacuum level is reached. Rapidly flashing “Yellow” light: Vacuum is dropping. (Will occur only after target vacuum level is reached) Rapidly flashing “Red” light: Vacuum is totally lost. Circuit stalled until switched off. (Will occur only after target vacuum level is reached)