Mini Flash Trigger for Panasonic Housings

Panasonic hybrid camera systems have revolutionized all levels of motion imaging capture. Pairing high quality interchangeable lenses with compact camera bodies, the video camera of choice for underwater filmmakers has undergone an incredible transformation in recent years. It has become the Panasonic GH5 and GH5S. An exceptional hybrid housing to complement an exceptional hybrid camera, the NA-GH5V is a video-centric version of the NA-GH5 housing that supports HDMI 2.0 output via the new M28 bulkhead. THE PANASONIC GH5 (II) AND GH5S The Panasonic GH5 is a new camera body, positioned above the successful GH4, and improving it in every way. At the core is a 20 megapixel sensor with completely revamped video functionality. When shooting motion, GH5 reads the entire 5K sensor, then resamples in camera to create each individual 4K frame. This results in increased sharpness with no change in lens angle of coverage! Panasonic didn’t stop there, unlocking UHD video capture at up to 29.97 fps with 4:2:2 10-bit chroma sub-sampling. Simply put, this means the GH5 can capture twice the color information with 64x the precision of a 4:2:0 8-bit system. The GH5S, featuring the same body as the GH5 is even more video focused than its sibling. The GH5S features an anamorphic 10.2MP sensor featuring Dual Native ISO technology borrowed from the high end VariCam that can record DCI 4K internally at up to 30fps with 10-bit 4:2:2 color and HDR Hybrid Log Gamma support. Panasonic GH5 Key Features 20MP Four Thirds sensor (no OLPF) 5-axis in-body image stabilization system with 'Dual IS 2' support All 4K footage taken using full width of sensor (oversampled from 5.1K footage) Internal 4K/30p 10-bit 4:2:2 video capture 4K/59.94p and 50p shooting with 10-bit 4:2:2 output or 8-bit, 4:2:0 internal recording Panasonic GH5S Key Features 10MP Anamorphic sensor Dual Native ISO of 400 and 2,500 DCI 4K 10-bit 4:2:2 at 30fps internal recording with simultaneous 10-bit 4:2:2 feed through HDMI out 1.8x crop factor vs 2.0x crop factor of GH5 Panasonic GH5 II The updated Venus processor allows the 203.MP sensor to record full-sensor oversampled 4K 10-bit 4:2:0 video at up to 50/60p or 4:2:2 DCI 4K at 30p/25p.  There is also the option to record at VFR DCI 4K/60p for smoother post-processing workflow.   Other notable improvements to the interface are the ability to resize the waveform exposure assistance tool and the ability to view the vectorscope when setting white balance.  The viewfinder's refresh rate has also been increased to 120hz and the LCD is 1.5x brighter with a wider color space. The GH5 II will also allow for simultaneous output over HDMI while recording internally at 4K/60p.  The NA-GH5SV is compatible with the Nauticam HDMI2.0/1.4 system to allow for the use of supported external recorders/monitors.  THE NAUTICAM NA-GH5V UNDERWATER HOUSING The NA-GH5V housing is small, but not at the expense of functionality or ergonomics. Integrated handles provide a sturdy and comfortable base to operate the system from. A sculpted shutter release lever, thumb lever for AE-L / AF-L, and well placed control dials provide the same operational feel as any Nauticam DSLR housing. Control buttons are placed within easy reach of the handles, with sufficient spacing to allow easy operation, even by feel. The NA-GH5 is a professional grade underwater housing, built with cutting edge manufacturing technology, supporting the pro-level GH5/GH5S camera bodies to its full potential. The GH5/GH5S feature four custom White Balance Presets allowing the video shooter to store settings for various depths as well as natural/artificial light scenes and switch between them quickly on a dive. Access to these presets is a breeze with the NA-GH5 mission control layout. A second thumb lever on the right side of the housing, easily accessed from the handle, brings up the white balance presets. Simply scroll to the desired preset and film away. PREMIUM PROFESSIONAL OPTICS The variety of optics solutions for the NA-GH5 are staggering. Whether you're choosing a MFT open-source standard lens such as the Panasonic 8mm Fisheye or the ultra-fast Olympus 60mm macro lens there is an N85 port system port for you. Looking for zoom-through capability and both macro and wide on the same dive? The WWL-1 and CMC wet-mate system allows for unmatched corner sharpness for your wide angle and ridiculous reproduction ratios for your macro. The bayonet mount system allows for switching underwater. TTL AND MANUAL OPTICAL STROBE TRIGGERING Add the optional Panasonic DMW-FL70 Flash inside the housing for reliable, accurate triggering of optical TTL compatible strobes. Rapid fire manual triggering is also available with the Nauticam Mini Flash Trigger. HDMI 2.0 OUTPUT The NA-GH5V housing is a version of the NA-GH5 housing that features the M28 bulkhead connection that supports HDMI 2.0 connections for use with the NA-NinjaV housing for the Atomos Ninja V recorder. This allows for 4K 60p 10-bit 4:2:2 output and recording. The standard NA-GH5 housing supports up to HDMI 1.4.   INTEGRATED TRIPOD MOUNTS The NA-GH5 has integrated mounting points on the bottom for industry standard 1" ball-mounts that can be used to attach tripod legs.

The evolution of the mirrorless interchangeable-lens camera has been happening at a fever pitch over the last few years with Panasonic leading the field of introducing more video-driven improvements.  With the LUMIX DC-S1H, Panasonic is taking its full-frame mirrorless S1 platform and giving it supercharged cinema-video specs.  The S1H is the first full-frame mirrorless camera to offer 6K (3:2) 24p internal recording with 14+ stops of dynamic range.  The Nauticam NA-S1H, with its M28 bulkhead supporting HDMI 2.0 output, can be combined with the Atomos Ninja V and Shogun Inferno external monitors/recorders to offer even more recording and monitoring Options. THE PANASONIC LUMIX DC-S1H CAMERA The Panasonic S1 brought many of the features that made the GH series of micro-four-thirds cameras popular with underwater image-makers to a full-frame sensor.  With the S1H, Panasonic has taken some of it's VariCam cinema-tech and added it to already strong video capabilities of the S1 platform.  The most notable is the ability to record 6K in a 3:2 aspect ratio at 24p (or 5.9K, 30p at 16:9) at a reported 14+ stops of dynamic range.  If 60p is important, the S1H will also capture C4K/UHD4K at 60p in 4:2:2 10-bit internally.   THE NAUTICAM NA-S1H UNDERWATER HOUSING As the S1H is an evolution of the mirrorless camera, the NA-S1H is the progression of Nauticam's innovative approach to housing design and construction.  As the capabilities of the cameras housed within increases, so must the housing itself.  The NA-S1H is a perfect compliment to the S1H camera and is designed to take full advantage of the S1H's advanced video capabilities.   EF AND L LENS SUPPORT Sigma's MC-21 EF to L adapter allows for the use of Sigma EF-mount lenses to be used with the S1H camera. The NA-S1H Housing is designed to not only accommodate the adapter but to allow for the use of the existing focus and zoom gears for Canon EF-mount Sigma lenses for the N120 Canon System along with the existing Canon N120 extension ring and port combinations for those lenses.  As native L-mount lenses become available, those best suited to underwater use will be added to the system. MISSION CONTROL The NA-S1H follows Nauticam's Mission Control design philosophy that emphasizes placing the control where it is needed most, regardless of where it may be on the camera itself.  This has led to housings where the majority of essential controls can be easily reached from the ergonomic handles.  The use of thumb-levers allows for the manipulation of many controls without having to remove your hand from the handle which leads to more time spent focusing on the shot and less time looking for a control. The NA-S1H features dual thumb levers on both the right and left rear of the housing.  The left side activates Playback and DISP buttons while the right controls AF-ON and REC.  An inner lever on each side adds additional functionality with ISO for the front right and LVF on the left rear.  A multi-position switch on the rear of the housing accesses C/M/AF and is located next to the multi-directional pad. HDMI 2.0 The NA-S1H features the large-bore M28 bulkhead that supports HDMI 2.0 video output connections to external recorders/monitors such as the Atomos Ninja V and Shogun Inferno with the optional Nauticam HDMI 2.0 cables and monitor housings.  An HDMI 1.4 option is also available for those monitor housings that do not feature the M28 bulkhead.

Die wichtigsten Kamerasteuerungen sind von den ergonomischen, gummierten Griffen aus leicht erreichbar.  Eine unglaubliche Anzahl von Entwicklungsressourcen gehen in die Gestaltung dieses Designs ein, aber dieser Aufwand zahlt sich mit einer beispiellosen Benutzerfreundlichkeit aus. Die Bedienelemente am Gehäuse sind genau dort platziert, wo sie für den einfachsten Zugang im Wasser sein sollten, unabhängig vom Kamerabau. Ein großer, geformter Auslösehebel befindet sich am rechten Griff für die Zeigefingerbedienung und verfügt über einen patentierten Zahnradmechanismus, der die Empfindlichkeit für das taktile Gefühl von halb und voll gedrücktem Auslöser verbessert. Um den Autofokus der Rücktaste zu erleichtern, wird die AF/AE-Sperrtaste (die zum Aktivieren des AFs neu zugewiesen werden kann) durch einen Daumenhebel in der Nähe des rechten Griffs gesteuert. Kein anderes Gehäuse kommt an diese Art von ergonomischem Zugang zu diesen kritischen Bedienelementen heran. Das Gehäuse-Verriegelungssystem hat weltweit Anerkennung für seine Einfachheit und Funktionalität gefunden. Diese eingelassenen Verschlüsse sind mit Sicherheitsverriegelungen ausgestattet, reduzieren das Volumen und erfordern minimale körperliche Anstrengung beim Ver- und Entriegeln. Portänderungen waren noch nie so einfach wie mit dem patentierten Nauticam Portverschlusssystem. Kein Kampf, kein Verdrehen, keine Fehlausrichtung - nur Einsetzen und Verriegeln. Der Objektivwechsel ist auch ohne Demontage der Kamera aus dem Gehäuse über die Objektiventriegelungstaste, die logisch an der Gehäusefront zugänglich ist, einfach durchzuführen. Stativbefestigungspunkte Die Befestigungspunkte für drei 1-Zoll-Kugelköpfe nach Industriestandard werden direkt in den Gehäuseboden eingearbeitet, so dass keine anderen Zubehörhalterungen zur Befestigung von Stativbeinen erforderlich sind. Optische Sucher Der standardmäßige optische Glassucher ist sehr gut und reisefreundlich, aber viele Fotografen bevorzugen die Erleichterungen eines vergrößerten Suchers mit einstellbaren Dioptrien. Nauticam produziert einen "geraden" 180º vergrößernden Sucher und einen um 45º abgewinkelten vergrößernden Sucher, um die Arbeit auf engstem Raum zu erleichtern, die häufig mit Makroaufnahmen verbunden ist. Beide Sucher verfügen über eine hochwertige Optik und ermöglichen eine helle Betrachtung des gesamten Bildes. Eine patentierte externe Dioptrienverstellung ermöglicht eine persönliche, gestochen scharfe Anpassung unter Wasser. Sucherwechsel können in weniger als 30 Sekunden ohne Werkzeug durchgeführt werden. Außergewöhnliche Zusammensetzung und Fokusgenauigkeit waren noch nie so zugänglich. Hochwertige, professionelle Optik Erfahrene Fotografen wissen, dass eine Kamera nur so gut ist wie das Objektiv vor ihr, und das Gleiche gilt für die Wahl der Optik für ein Unterwasserkamerasystem.  Eine Vielzahl von Weitwinkel- und Flachports sind im N85-System verfügbar, um einen großen Teil der Micro Four Thirds Open-Standardobjektive aufzunehmen. Die Konfigurationen werden bei Nauticam ausführlich getestet, um die ideale Verlängerungsringlänge für beste Leistung zu bestimmen.

With the ability to accommodate both Panasonic LUMIX S1 and Panasonic S1R cameras, the Nauticam NA-S1R housing offers tremendous versatility to the underwater photographer. Nauticam's drive for innovation and focus on real-world usability is clearly reflected in the NA-S1R's features.   Although the two cameras may have different strengths, the NA-S1R is designed and built to give both video and photography enthusiasts easy access to all the controls and functions, exactly where they need them. Operation Nauticam engineers are obsessed with ease of use, and the Mission Control philosophy means they place essential controls where they are needed, regardless of where they are on the camera body. By placing the controls as close as possible to the handles and within easy and natural reach, users can concentrate on the composition and timing of their shot while adjusting exposure or focus without taking their eye off the viewfinder or screen.   The NA-S1R has a double thumb lever on the left rear of the body that accesses DISP and playback, while a double thumb lever on the left front activates the customisable Fn1 and Fn2 buttons.  A rear thumb lever on the right side is for AF-On and REC.  A lever on the right side of the NA-S1R allows the focus mode to be switched between C/S/MF and a multi-directional pad that provides the ability to navigate through the menu or move the focus point. Sigma EF lens support The MC-21 EF to L adapter from Sigma allows the use of Sigma EF lenses for use with the S1 and S1R cameras. The NA-S1R underwater housing is designed to not only accommodate the adapter, but also to allow the use of the existing focus and zoom wheels for Sigma lenses with Canon mounts, as well as the existing extension ring and port combinations for these lenses.     Flash release Optical flash triggering with automatic exposure (TTL) is supported by the Panasonic DMW-FL70 clip-on flash (sold separately). For quick manual flash triggering, the NA-S1R is compatible with the Nauticam Mini Flash Trigger (NA26309), which uses small LED units to trigger external flashes via Nauticam Universal Fibre Optic (26216).  A TTL flash on/off switch on the top of the housing allows the DMW-FL70 flash unit to be activated or deactivated in water.  HDMI 2.0 output To take full advantage of the S1's video capabilities, the NA-S1R features the large-size M28 connector for HDMI 2.0 connections, such as those used on the Atomos Ninja V in conjunction with the Nauticam Atomos Ninja V housing (HDMI 2.0). Vacuum testing and leak detection system The Nauticam vacuum testing and leak detection system is supplied with NA-S1R as standard. Combined with an additional vacuum valve (NA25625 or NA25624), this monitoring system provides constant information about the watertight and submersible condition of the enclosure. A simple colour-coded LED lighting system indicates to the user that the vacuum is tight or that the enclosure is losing vacuum. Leak detection is integrated into the same circuit so that an audible and visual indication is given in the event of water ingress.  The Nauticam system is temperature compensated and eliminates false alarms caused by a change in outside temperature or a camera heating up during an action-packed dive. Recommended 4K recorder/monitor: NA17922 Nauticam Atomos Ninja V Underwater Housing (HDMI 2.0) for Atomos Ninja V 5 4Kp60 4:4:2 10-bit Recorder/Monitor NA25078 HDMI 2.0 Cable M28A1R225-M28A1R170 for NA17922 Ninja V Enclosure

The Panasonic GH5 brought high-end video specs to the micro four thirds platform, setting the bar for what was possible in this compact form-factor. Since the GH5, the open-source MFT actor has grown, with a massive variety of lenses available and camera specifications that rival or exceed some of their larger siblings. The GH6 follows closely in the GH5's footsteps, adding incredible new video features and even some notable still image enhancements. The GH5, GH5s, and GH5II have been well represented in the underwater imaging space and the arrival of the GH6 is sure to be met with serious enthusiasm given the spec sheet and early reviews. The Panasonic GH6 Camera The GH6 is built around a brand-new 25MP CMOS sensor paired to Panasonic's Venus processor. The new sensor, assisted by the addition of a CFExpress B card slot and a built-in cooling fan, can capture up to 5.7K video in the edit-friendly ProRes codec. While ProRes is currently limited to the 17:9 full 5.7K at 29.97p frame-rate recording mode, future firmware updates promised expanding this to all 4K and HD modes as well. While not in ProRes, the GH6 can record 10-bit 4:2:0 DCI or UHD 4K at up to 120fps using LongGOP H.264 compression. Dropping that frame rate to 60p allows for 4:2:2 chroma subsampling, All-i recording at a heavy 800Mbps bitrate. If 120fps is not slow enough, switching to HD opens up the possibility of 10-bit H.264 video at 240fps and even up to 300fps using Variable Frame Rate (VFR) mode which does not allow for audio recording. The menu for the various recording modes can be filtered to ease finding your desired mode and a personalized menu or 'My List' of selected modes can be created. When shooting at 60fps or lower, the GH6's Dynamic Range Boost mode can be activated. This mode uses both a low-gain and high-gain simultaneous readout from the sensor to create a final image with up to 13-stops of dynamic range. The GH6 also features Panasonic's full V-log profile which maximizes dynamic range for post-processing. The GH5 model only had a limited version of this profile. With a full-size HDMI port, the GH6 plays well with external monists and recorders, outputting a clean 4K/60p signal. Future firmware updates promise 4K/120P RAW output over HDMI. Not just a video camera, the GH6 also has notable improvements for still imaging. A new handheld mode for the high-resolution 100MP imaging mode expands the situations in which this can be used as previous versions required a tripod. For both stills and video, improvements in Autofocus and lower noise levels promise even better performance and image quality than was found in the GH5. Controls such as the prominent Record button remain similar aside from a button that gives direct access to the camera's audio settings and an additional custom function button on the front of the camera. The screen receives a refresh, as does the electronic viewfinder. THE NAUTICAM NA-GH6 UNDERWATER HOUSING The NA-GH6 builds on the pioneering NA-GH5 which supports the GH5, GH5S and GH5II camera models. Designed around the N85 Port System, the range of lens and port combinations for the NA-GH6 is unparalleled. Image quality can be improved even further with Nauticam's lineup of water-contact optics. These lenses, such as the WWL-1 and WWL-1B are designed to increase field-of-view, maximize corner sharpness and close-focus capability, all while maintaining zoom-through functionality. Using our unique bayonet mount system, these ultra-wide lenses can be switched for the powerful CMC-1 and CMC-2 macro optics underwater. This system makes the NA-GH6 the perfect underwater imaging system for both stills and video allowing for unparalleled wide and macro performance on the same dive without compromising image quality. MISSION CONTROL Designed with our Mission Control philosophy, the controls of the NA-GH6 are placed where they are needed most with essential controls for exposure and focus located within easy reach of the handles. A dual thumb lever near the right handle provides easy access to the 'REC' and 'AF-ON' buttons. A dual-action lever that triggers the 'Fn1' and 'Fn2' buttons is easily reached forward of the right handle as well. HDMI VIDEO OUTPUT With an M24 bulkhead and an M10 threaded mount, the NA-GH6 is easily paired with an external monitor or recorder over HDMI 2.0 or 1.4. With future firmware updates promising RAW video output at up to 4K/120p over HDMI, the NA-GH6 will be ready to meet that Need. MANUAL OPTICAL STROBE TRIGGERING Rapid fire manual triggering is available with the 26309 Mini Flash Trigger.  The Panasonic DMW FL-70 Flash Unit is not compatible with the GH6.   VACUUM CHECK AND LEAK DETECTION SYSTEM The NA-GH6 underwater housing by Nauticam comes with electronics pre-installed for Nauticam's Vacuum Check and Leak Detection system, requiring only the optional M14 Vacuum Valve (25624). This monitoring system provides constant updates on the water tight and safe-to-dive status of the housing. A simple color coded LED lighting system lets the user know that the vacuum is solid, or that the housing is losing vacuum. Leak detection is built into the same circuit, so if there is water intrusion, an audible and visual indication will occur. The Nauticam system is temperature compensated, eliminating false alarms caused by a change in outside temperature, or from a camera heating up on an action packed dive.